艺术无限·Art Infinity

古籍，作为文化传承不可或缺的重要载体，记录了华夏大地上文明的演进与变迁，从而让中华文明得以在浩瀚的历史长河中熠熠生辉，绵延不绝。每一部古籍的版本，不仅是文字的载体，更是历史的见证与文化的延续。

正如黄永年先生在《古籍版本学：古文献学基础知识丛书》中所言：“只要这部书的本身是古籍，那不管什么时候重刻、影刻、影印、铅字排版，也不管是线装或精装平装，都是这部古籍的一种版本。”他还指出：“有人类之日，中国的古籍总得不断的重印，不断的出现新版本。”自雕版印刷通行以来，古籍的刻本、活字本、抄本、批校本等各类版本不断涌现。从雕版印刷到活字排版，从古代手工抄本到现代影印与排印，古籍的每一次复制与传播，都承载着时代的印记与匠人的智慧。无论是宋元珍本的精美刻工，还是明清坊刻的普及流传，亦或是近现代的铅印与数字化尝试，每一种版本都以其独特的方式诉说着历史的变迁。

古籍版本不仅是文献学研究的对象，更是中华文明生生不息的象征。这种持续的传承与创新，既是对先贤智慧的致敬，也是对未来的期许。在本次展览中，我们将通过珍贵的古籍版本，带领观众穿越时空，感受文字的力量与文明的温度。

Ancient texts are vital to the heritage of Chinese culture. Each version is more than just a copy; it’s a record of history and a link between generations.

As Huang Yongnian wrote in The Study of Ancient Text Editions, “As long as the book itself is an ancient text, any reprinting, recarving, photocopying, or typesetting—no matter the binding or format—is a version of that text.” He also said, “As long as humanity exists, China’s ancient texts will keep being reprinted. New versions will always appear.”

Since woodblock printing became widespread, Chinese books have taken many forms: woodblock editions, movable type prints, hand-written manuscripts, and editions with notes and corrections. From early printing to modern facsimiles, each step reflects the era’s technology and craftsmanship. Whether it’s finely engraved Song editions, widely circulated prints from later dynasties, or today’s digital versions—every edition tells its own story.

These works are more than research objects; they show how Chinese civilization continues to thrive. Through these rare editions, we invite you to journey through time and feel the living power of the written word.